
I have been bringing Eugene H. Peterson’s Reversed Thunder: The Revelation of John & the Praying Imagination (HarperOne: 1988) to read each time I fly, reading 1 to 2 chapters per trip. Finally, I have just completed it on 20 Apr 11.
This is a very rich book of which slow reading (and often re-reading) is necessary to grasp the full import of its meditations. So reading it on long trips affords me to wrestle with its message and muse on its implications. (I deliberately choose not to read it upon the return of my trips so as to look forward to the next trip
).
Eugene did a superb job of organizing the entire book of Revelation into thematic chapters yet united via a common thread using the phrase – the ‘Last Word’. So he has ‘The Last Word on Scripture’ for Revelation 1:1-11; ‘The Last Word on Christ’ for Revelation 1:12-20, ‘The Last Word on the Church’ for Revelation 2 & 3, ‘The Last Word on Worship’ for Revelation 4 & 5, and so on and so forth, covering the last word on evil, prayer, witness, politics, judgment, salvation and heaven subsequently.
From a literary standpoint, it is beautifully and masterfully written; from a theological standpoint, it is deep and profoundly substantive and from a pastoral standpoint, it is warm and timely. Indeed a masterpiece on the Book of Revelation that is characteristically Eugene Peterson’s!
This is not a book where you would expect a verse-by-verse exposition or where there is an attempt to interpret all the details prophetically from an eschatological standpoint. In fact, Eugene is seriously opposed to the latter approach, as he believes that is not the intent of its author. Instead, Eugene works on each theme from a gestalt perspective. He may delve into a word or a phrase at occasional times but the final treatment is always from a unified whole. Such approach brings out the essence of the theme at hand. His ruminations take on a form that is multi-dimensional and carry multi-shades of colors. He is able to identify all the allusions and imageries that John borrowed from the OT and the rest of the NT. Often it takes a careful, imaginative and thoughtful reading of the biblical text to chew on them in full flavor. And that is the gleanings that Eugene shares in this book.
I find most of the chapters appealing and directly meaningful to my life with the exception of the one on politics (may be I am just not politically inclined to appreciate it as much). To demonstrate the magnetic draw to the themes discussed, here are a few sample quotes that I would enthusiastically recommend.
On worship, “Life as we encounter it is chaotic. The raw material served up by the day is disordered and turbulent. Nature is clamorous and many-headed. We ourselves are many-hearted and conflicted. How can we master such a mob? Is there any hope for harmony in such a chaos? The act of worship gathers into its centering rituals and harmonizing rhythms every aspect of creation. Worship does not divide the spiritual from the natural, it coordinates them… In George Herbert’s words, “All creatures of my God and King, lift up your voice and sing!” (p. 62)
On prayer, “[God] not only speaks to us, he listens to us … It is rare to find anyone who listens carefully and thoroughly. It is rare to find our stammering understood, our clumsy speech deciphered, our garbled syntax unraveled, sorted out and heard – every syllable attended to, every nuance comprehended. Our minds are taken seriously. Our feelings are taken seriously. When it happens we know that what we say and feel are immensely important. We acquire dignity. We never know how well we think or speak until we find someone who listens to us.” (p. 93)
On witness, “The chief difficulty in maintaining Christian witness is timidity. The life of the world is gaudy, noisy, and assertive. The life of faith is modest, quiet, and unassuming. What can an ordinary Christian say that will stand a chance in the brash shouting of money and pleasure and ambition? Or in the wailing laments of boredom and depression and self-pity? In a society in which the thesaurus of metaphor and symbol has been ransacked by cynical advertisers, faithless artists, and indulgent entertainers to condition us to a maniacal but brainless devotion to me and now, how can the imagination be renewed so that we can say, honestly and personally, without necessarily raising our voices, who God is and what eternity means?”
Now, you may step back and ask why the title of the book is named as Reversed Thunder? What has it to do with the Book of Revelation? This is a phrase borrowed from George Herbert’s poem entitled “Prayer I” (see http://www.luminarium.org/sevenlit/herbert/prayer1.htm). It pictures God’s answers to our prayers coming down to earth with such massive force that it is likened to thunder. Eugene explains its significance in passing as such:
“…an angel came before the altar of God with a censer. He mixed the prayers of the Christians with incense (which cleansed them from impurities) and combined them with fire (God’s spirit) from the altar. Then he put it all in the censer and threw it over heaven’s ramparts. The censer, plummeting through the air, landed on earth. On impact there were “peals of thunder, voices, flashes of lightning, and an earthquake” (Rev 8:5). The prayers which had ascended, unremarked by the journalists of the day, returned with immense force – in George Herbert’s phrase, as “reversed thunder”. Prayer reenters history with incalculable effects. Our earth is shaken daily by it. The vision convinces the Christian of the potencies of prayer.” (p. 88).
Thus, I would highly recommend this book to those who want to understand the significance of Revelation from a literary, poetic, and how-this-relate to my faith viewpoint. Enjoy the rich tapestry and beauty of language and images written by one who has sit long enough under the Apostle John’s feet to come up such a goldmine of insights.